Jilting in William Faulkners A Rose for Emily and Katherine Anne Porte

Jilting in William Faulkner's "A Rose for Emily" and Katherine Anne Porter's "The Jilting of Granny Weatherall" Webster’s dictionary defines the word â€Å"jilt† as the act of rejecting a lover. So to be deserted by another, left at the altar, or unwanted by another, is to be jilted. In William Faulkner’s â€Å"A Rose for Emily† and in â€Å"The Jilting of Granny Weatherall† by Katherine Anne Porter, Emily and Granny Weatherall throughout the course of their lives experience jilting several times. In turn, this rejection places a significant emphasis on both of their lives. After Emily’s father passes away in â€Å"A Rose for Emily,† Emily’s sweetheart rejects her. The only man that her father must have approved of ran out on her, leaving her all alone. It must have been unbearable for Emily, to loose the two most important people in her life within such a short time of each other. Emily’s father, Mr. Grierson sent away all of the young men who had come to court her. They were not â€Å"quite good enough† for his little girl. He shut her off from society by standing in the front door â€Å"clutching a horsewhip.† He did not allow Emily to go into town to see how people lived their life. Nor did he allow her to meet people and make friends. Instead, Emily’s father kept her in the house and isolated her from society. This isolation caused Emily to become resistant to change. With no one to turn to in her time of need, Emily was forced into a period of isolation. Because her father had isolated her for the first thirty years of her life, being secluded from the community was all she knew. The narrator (the town) points out, â€Å"After her father’s death she went out very little; after her sweetheart went away, people hardly saw her at all.† By iso... ...gain no bridegroom and the priest in the house. She could not remember any other sorrow because this grief wiped them all away. Oh, no there’s nothing more cruel than this ¾I’ll never forgive it. She stretched herself with a deep breath and blew out the light.† This second jilting at death makes the first jilting by George more moving and intensely powerful. The light, which she blows out, represents her life and she descends into the blackness of death, jilted again. Being rejected by a lover can have a major impact on one’s life as it did for Emily, in â€Å"A Rose for Emily† and as it did for Granny, in â€Å"The Jilting of Granny Weatherall.† One must find it in their heart to forgive and forget and move on with their life. The jilting of Emily and Granny Weatherall shows how time changes and how it must be embraced, for better or for worse, because the past is no more.

Architect Peter Behrens

The purpose of this analysis is to identify, define, and explain. It is a three part analysis that also has an Introduction and a Conclusion. The first section discusses the â€Å"Historical Background of the Architect†, Peter Behrens. Behrens was born in Germany where he made a significant contribution to the industry field. He brought the styles of Expressionistic, Industrial Classicism, Jugendstil, and International Modern Style to his masterpieces. In fact, these styles are explained in section two which is the â€Å"Critical Analysis†.Behrens’ buildings, Behrens House, A. E. G. High Tension Factory, I. G. Farben Offices, and New Ways are assigned particular styles based upon the way they were designed and the year in which they were built. The final section is the â€Å"Building Analysis†. Additional details are given for the Behrens House. These details are in terms of technicality, criticism, and building for the times. Based upon the findings of th is information, a Conclusion is drawn. Historical Background of the Architect Peter Behrens was originally from Hamburg, Germany. He was born in 1868.Behrens first profession was as a painter. However, graphic and applied arts appealed to Behrens more. Thus, he re-channeled his energy to those areas and steered away from painting. In 1899, an invitation to attend the Artists’ Colony in Darmstadt enabled Behrens to establish a leadership role there. Yet, he would not stay put for long. Behrens next venture was in Dusseldorf where he was employed as the Director of the Kunstgewerkeschule. It was an interim position that sparked Behrens’s interest in adding a unique geometric abstraction to his work (â€Å"Peter Behrens?† 2007). The 1890s was the time period when Behrens was located in Munich where he was employed as a painter and graphic artist. It is also when Behrens gained membership into the Jugendstil movement. However, it was not until 1893 that Behrens beca me one of the co-founders of the Munich Secession. Additionally, â€Å"He produced woodcuts, colored (sic) illustrations, designs for book bindings and crafts objects entirely shaped by the Jugendstil formal language† (â€Å"Biography: Peter Behrens† n.d. ). Artists and architects such as Augst Endell, Bernhard Pankok, Bruno Paul, Hermann Obrist, and Richard Vereinigte united forces with Behrens in 1897 to find â€Å"†¦the Vereinigth Werkstatten fur Kunst und Handwerk in Munich to produce handmade utilitarian objects† (â€Å"Biography: Peter Behrens† n. d. ). These contributions to society were just as the word utilitarian means: functional, practical, and down-to-earth. Consequently, Behrens displayed humbleness in his work as well.This side may also have been evident when Behrens joined forces in 1898 to design â€Å"Pan†, a Berlin journal as well as when he fashioned the first of his furniture designs (â€Å"Biography: Peter Behrens† n. d. ). At the same time that Behrens was creating unique architecture that stirred up a lot of talk and criticism, he was knee-deep in leadership roles. For example, â€Å"In 1899 Peter Behrens was appointed by Grand Duke Ernst Ludwig of Hesse-Darmstadt to the Mathildenhohe artists’ colony the Grand Duke had just established in Darmstadt† (â€Å"Biography: Peter Behrens† n. d. ).Naturally, having a position of such this caliber bestowed upon him by such a high prestige, this meant that Peter Behrens had earned respect, in addition to this honor, in the eyes of the Grand Duke. This could have been the reason why Behrens felt it time to build his own home. â€Å"Designed as a total work of art, â€Å"Haus Behrens† caused quite a stir; Behrens himself designed the architecture and the interior with all its appointments and furnishings down to the last detail† (â€Å"Biography: Peter Behrens† n. d. ). Accordingly, Behrens was able to implemen t the Expressionistic style into his home.Perhaps this inner-creativeness is what caused the AEG to become interested in Behrens. The time between 1907 and 1914 led Behrens’ life to Berlin where he became an artistic advisor to the AEG. It was during this period in his professional career that Behrens became known as the person who â€Å"†¦created the world’s first corporate image† (â€Å"Peter Behrens? † 2007, par. 2). Remarkably, Behrens’ work with the AEG was when he displayed a keen interest for designing architectural pieces that utilized the form and material found in the industry field.Moreover, Behrens’ work helped pave a path for others to follow. Therefore, he â€Å"†¦can be considered a key figure in the transition from Jugendstil to Industrial Classicism. ’ ‘He [indeed] played a central role in the evolution of German Modernism’† (â€Å"Peter Behrens? † 2007, par. 3). During the time fr ame between 1922 and 1936, Behrens was headmaster to the Vienna Akademie der Bildenden Kunste which is an architecture department where he also taught (â€Å"Biography: Peter Behrens† n. d. ). As a result, Behrens was able to play a significant part in the way Germans (and people, in general) perceive architecture.Furthermore, Behrens â€Å"†¦designed china, glass objects and patterned imoleum flooring for various companies. ’ ‘One of his last commissions, in 1938, was to plan a new AEG headquarters in Berlin’† (â€Å"Biography: Peter Behrens† n. d. ). This was, of course, all accomplished before Peter â€Å"†¦died in Berlin in 1940† (â€Å"Peter Behrens? † 2007, par. 4). Fortunately, Behrens was able to put many of his ideas into his architecture. In addition, he was able to demonstrate a high level of skill and technicality in his work. Critical Analysis One of Behrens’ first works was the Behrens House.It was designed in 1901 and is located in Darmstadt, Germany. The house is known for its fine dining rooms and music appeal. Its outline is one of the normal formats â€Å"†¦for a small burgeois house†¦Ã¢â‚¬  (â€Å"Behrens House† 2007, par. 1). However, â€Å"†¦its internal and external expression was unusual, particularly for its combination of features drawn from the English Arts and Crafts movement†¦with elements such as the high-pitched roof drawn from the German Vernacular† (â€Å"Behrens House† 2007, par. 1). In this sense, the word vernacular gives a strong indication that the German culture was evident in Behrens’ works.Vernacular is just another term for the word language. Thus, the Behrens House is characteristic of the Expressionistic style (explained later) as well as of Industrial Classicism which is basically an ideology in which human beings and machines can coexist. In this case, the word â€Å"machine† refers to bu ildings. Another of Behrens’ works is â€Å"A. E. G. High Tension Factory† (2007). The building was designed in 1910 and is located in Berlin, Germany. It is an industrial plant made of glass and iron. When Behrens created the building, he was able to incorporate a very unique and different look to it.â€Å"Behrens achieved a plastic effect and a dynamic form of construction of the trusses, which were pulled towards the outside, as well as through the tapering iron trusses and the glass areas which were drawn towards the inside† (â€Å"A. E. G. High Tension Factory† 2007, par. 1). This look aroused many other architects and caused them to criticize Behrens. In fact, â€Å"Luduig Hilberseimer wrote: ‘Peter Behrens is led astray by the imperialistic power consciousness of the prewar years and restrained by classical influences, and he thinks to add a facade to his turbine hall of the AEG at Moabit, an otherwise terse structure†¦Ã¢â‚¬  (â€Å"A .E. G. High Tension Factory† 2007, par. 1). However, Behrens’ work really demonstrated Expressionistic, Jugendstil, and Industrial Classicism styles. Yet, it was also represented of the International Modern Style. Did knowing these things stop others from criticizing Behrens’ works? No. Another architect also had strong words to say about Behrens. In fact, â€Å"†¦Erich Mendelsohn criticized the building [A. E. G. High Tension Factory}; ‘He pastes over the expression of tension, which the hall creates, with the rigidity of a repeatedly broken temple tympanon†¦Ã¢â‚¬  (â€Å"A. E. G.High Tension Factory† 2007, par. 1). However, this meant the work was characteristic of the Expressionistic style. This style was â€Å"A movement in the arts during the early part of the 20th century that emphasized subjective expression of the artist’s inner expressions† (â€Å"Peter Behrens? † 2007). Of course, the expressionistic style o ccurred around the World War I era. Perhaps the strains of the war created a stir within the architects’ souls because Behrens was not the only artist to take up this style; other German architects did as well (â€Å"Peter Behrens? † 2007).Consequently, maybe that is why some architects saw the beauty in Behrens’ masterpiece. â€Å"Le Corbusier†¦admired the structure as being a charged center, which represents the integral architectonic creations of our time—rooms with admirable moderation and cleanness, with magnificent machines, which set solemn and impressive accents, as the center of attraction† (â€Å"A. E. G. High Tension Factory† 2007, par. 1). This means that Behrens’ architecture was both Jugendstil and Industrial Classicism. Jugendstil is a cross between Art Nouveau and other unique styles (â€Å"Jugendstil† 2007).Art Nouveau is defined as â€Å"†¦a new form, an original artistic and decorative movement ins pired by the idea of ‘total art’† (â€Å"Introduction to Art Nouveau† 2007, par. 4). Behrens also put Jugendstil and Industrial Classicism styles into his offices. The I. G. Farben Offices were designed between 1920 and 1925. In fact, these buildings are located in Frankfurt, Germany. Behrens used brick masonry as the construction system for these commercial offices. He followed the Dutch Expressionist Modern style as well.This type of architecture was symbolic of both â€Å"†¦the theatrical play of light†¦Ã¢â‚¬  as well as â€Å"†¦the systematic use of slanting rafters which serve to disrupt the overall rectilinearity† (â€Å"I. G. Farben Offices† 2007, par. 1). Consequently, this building was reminiscent of the Expressionistic style as well. Again, in this style the artist puts his heart into his work. One of Behrens’ later masterpieces was New Ways. â€Å"In 1926 Peter Behrens designed ‘New Ways’, a pri vate dwelling in Northampton, which is regarded as an early example of the International Modern style† (â€Å"Biography: Peter Behrens† n.d. ). Carpenter (n. d. ) indicated, â€Å"Need and demand inspires Art. ’ ‘International Modern Style buildings appeared in the early post war in the form of many large industrial sized buildings’† (par. 1). During the years following the war, hospitals were needed for the injured and other buildings were needed to house soldiers after they were released from the hospital and before they could go home. Of course, this is mandatory when dealing with any war. However, back in the 1900s when World War I was occurring, people were not familiar with so many injuries.Thus, architects that were able to design establishments that would benefit the war contributed greatly to their countries. In fact, the German language was present in Behrens’ Behrens House, as indicated in previous sections. Building Analysis The Behrens House is unique in nature. It was built to become Peter Behrens habitat, where he could display his ideas into his work in detail. Moreover, the house was where Behrens thought of some of his greatest ideas. In fact, it was discussed at the Wikipedia website that, â€Å"†¦Behrens built his own house and fully conceived everything inside the house (furniture, towels, paintings, pottery, etc. ).’ ‘The building of this house is considered to be the turning point in his life†¦Ã¢â‚¬  (â€Å"Peter Behrens: Biography? † 2007). It was the time period when Behrens went to the Expressionistic style and re-directed many of the thoughts he put into his architecture from the Jugendstil style. During this period, Behrens also steered away from the Munich artistic circles for which he had grown acquainted. Behrens became temperate and rigorous in his style of designs (â€Å"Peter Behrens: Biography? † 2007). This was evident in the Behrens House. In fact, the construction system was made of brick and stucco facade, with a wood interior (â€Å"Behrens House† 2007).Thus, this gave the impression that Behrens had been serious when he built this home. It could have been the strain of involvement with so many different things or the toil that war can bring to even citizens of the war, whatever the case, Behrens House was amongst the first designs that took Peter Behrens in a totally different direction. This would be the Art Noueau style (â€Å"Behrens House† 2007). Of course, this style brings the total package of art designs to the home. So, what are the technicalities behind this design? Well, architecture itself is a technicality.Egan (1998) wrote, â€Å"In terms of architecture, before we decide how to build, we must decide what to build, and why† (par. 4). Peter Behrens decided that he wanted to construct a home and then he built Behrens House to be his home. At the same time, Behrens knew his safe-hav en would be the building ground for many of his ideas. This factor relates to Egan’s (1998) discussion in the fact that Egan said, â€Å"†¦the most challenging questions in architecture are not answered through laws of physics or engineering; they are questions of culture and psychology† (par. 4).Behrens became Expressionistic around the time of World War I. Since the details in his architecture were somber, one could say that Behrens had seen some horrors of the war that had found a place in his heart and came out in his designs. Even so, Behrens still portrayed the fact he was a German by having the German culture displayed in his work. This answers the question of culture. Psychology is answered by the fact that Behrens went from Jugendstil to an Expressionistic style of design. Do these attributes imply that technicalities existed in Behrens design? Yes. However, Egan (1998) mentioned,†¦the essence of architecture is not construction; instead it is the de sign of spaces for humans. It includes spaces for humans, for their activities, for their treasures, and for their aspirations. Architecture uses the physical world of construction to shape, order, structure, articulate, and embody our spaces and our beliefs. (par. 4) This statement, in itself, gives way to the fact that Industrial Classicism existed. Industrial Classicism was considered to be the style that connected man with machine. Thus, Behrens tied himself with his architecture by building his own home and then working out of it.What type of mentality did this suggest of Behrens? It could be noted that Behrens had a Cognitive pragmatics mentality. Tirassa (1999) pointed out, â€Å"Cognitive pragmatics is concerned with the mental process involved with intentional communication, that is, with the characteristics of the mind/brain that allow individuals belonging to the human (and possibly to other) species to intentionally communicate with each other† (1). If this is the case, then Behrens was able to communicate his thoughts and aspirations with the design of his home in 1901. Architecture does not rely on oral communication.Therefore, Behrens was able to effectively communicate his design style, which everyone did not approve of. In order to fully understand what this means, the assumptions behind cognitive pragmatics must be given. Tirassa (1999) wrote, â€Å"The first is that communication is best viewed as one form of social activity and that a theory of communication belongs therefore to the study of action and social action rather than of language or of the transmission of information. The second is that communication involves some form of active cooperation between participants. (1-2)In architecture, this may not be entirely true. For example, Behrens’ critics picked up on his rigid style by viewing his buildings and so did those who enjoyed Behrens’ work. Therefore, on social interaction had to take place for this to occur. Additinally, not everyone was in agreement that the Behrens House was one of the best pieces of architecture of that time. However, the design had people talking. Unfortunately, not all the communication was good—as criticism was evident amongst some of the discussions (discussed earlier). So, was Behrens House a building for the times?Yes and no. It is because Behrens designed the home to last. Not only that, Behrens House received a lot of talk and during a time when war rages, opening up some form of communication is better than keeping it all bottled in until it explodes on its own. The main reason is because when/if that tension explodes in a negative manner, no telling what type of additional problems it will cause. Behrens House was also a building of its time because it allowed Behrens to express himself in such a manner, that he helped others go on to achieve great things.This was evident due to the contributions of architectural teachings and creations of utilitaria n objects that Behrens brought to the world. On the other hand, Behrens design may not be the best building for all times. In the presence of war and ever-increasing technological advancements, Behrens House may not have been practical living quarters for a family on the move. In these times, houses can be built in a matter of days and those with a high degree of difficulty can be built in one week (as seen on ABC’s, Extreme Makeover: Home Edition). Yet, back in those days, houses could be quickly assembled as well.An article about snail-like homes surfaced around 1943. It indicated that buildings, called Ratio Structures had been created and the buildings were being tested in The Bronx. The article also pointed out that these buildings were, Built on small concrete piers†¦[and] is unique having its framework, like a snail’s, on the outside. The Structure is composed of two practically independent parts: 1) an arch-shaped roof made of insulated panels and supporte d by posts; 2) rooms, formed of demountable inner & outer panels (sic) which can be shuffled around at will under the roof.Thus the structure has no weight-carrying walls. (â€Å"Houses Like Snails† 1943). Consequently, these buildings were good for housing the injured and supporting the war. In fact, it was written that the â€Å"Large unites could be changed to meet the requirements of homes, hospitals, recreation centers, storage, schools, etc. † (â€Å"Houses Like Snails† 1943). These factors, alone, make Ratio Structures both durable and convenient for today’s times as well. Moreover, this statement is relative to current war issues. This is because the article also mentioned,Under (sic) wartime restrictions the panels are made of celotex and wallboard. But they could be made of any material. Having no weight-carrying walls, the Wiener-Sert system uses only 50% of the structural lumber and 80% of the metal permitted by WFB. (â€Å"Houses Like Snails † 1943) What do all these things suggest about Behrens and his art? More than meets the eye. Conclusion Peter Behrens was able to listen to his heart and design the desires therein. That speaks volumes of the man. Not too many architectures, let alone, people are willing to do something new.Many professionals and individuals, in general, are more concerned with what others might do, think, or say than they are with being different. Of course, World War I had a lot to do with the fact that Behrens changed the way he designed from the Jugendstil style to the Expressionistic style. Yet, what should be noted is that those were not the only two design styles of the architect. Behrens also created works that displayed the style of Industrial Classicism and International Modern Style as well. Therefore, Behrens House should be considered as groundwork to other masterpieces in his time.References â€Å"A. E. G. High Tension Factory. † Great Buildings. com. 2007. Kevin Matthews and Artifice, Inc. 17 May 2007 â€Å"Behrens House. † Great Buildings. com. 2007. Kevin Matthews and Artifice, Inc. 17 May 2007 â€Å"Biography: Peter Behrens. † n. d. 17 May 2007 â€Å"Jugendstil. † Senses Art Nouveau sprl. 2007. 17 May 2007 Carpenter, Steve.International Modern Style. n. d. 17 May 2007 Egan, Christopher K. Ideas in Architecture. 1998. Egan/Martinez Design. 18 May 2007 â€Å"I. G. Farben Offices. † Great Buildings. com. 2007. Kevin Matthews and Artifice, Inc. 17 May 2007 â€Å"Introduction to Art Nouveau. † Senses Art Nouveau sprl. 2007. 17 May 2007 â€Å"Peter Behrens?. † Answers. com. 2007. 17 May 2007 â€Å"Peter Behrens?. † Great Buildings. com. 2007. Kevin Matthews and Artifice, Inc. 17 May 2007 â€Å"Peter Behrens: Biography?. † Wikipedia: The Free Encyclopedia. 17 April 2007. Berne Convention. 18 May 2007 Tirassa, M. Communicative competence and the architecture of the mind/brain. 1999. Acade mic Press. 18 May 2007 â€Å"House of Snails. † Time, Inc. 24 May 1943. 18 May 2007

Race Theories And Its Consequences - 2547 Words

Race has evolved through the scientific endeavor to forward knowledge, from a categorisation of people based on geographic origin and physical traits, to a hierarchical concept that is used as a tool to racially vilify, discriminate and marginalize particular races. The term race was introduced in the 16th century and referred to a group category of people (Smedley, 1999). From then, the concept of race was scrutinized and redefined by the western world. America bought about the concept of ‘race’ present in modern day, however the intellectual framework that served as a guide was European (Brace, 2005). Understanding of the evolution of race theories and its consequences are crucial to analyse how contemporary Indigenous Peoples are†¦show more content†¦Therefore, the use of visual art to portray ideas is more connected to Indigenous cultures than imposed western political and academic settings. This essay will critically discuss the work of Carl Linnaeus, Joha nn Friedrich Blumenbach and Charles Darwin in defining race and its application to Indigenous Australians. Followed by, analysis of the works of contemporary artists, Richard Bell, Bindi Cole, Bronwyn Bancroft, Daniel Boyd, Michael Riley, Gordon Bennett and Lin Onus in challenging the effects social constructions of race have had on Indigenous peoples. These issues include authenticity, homogenous stereotyping, racial hierarchy and discrimination. Carolus Linnaeus (1707-78), a Swedish botanist, physician and zoologist, is known for his taxonomic system, which laid the foundations of the modern biological categorization (Brace, 2005). His ambition was to make order the chaos of biological life based on distinctiveness and established categories of generic and specific names. It divided humans into six categories; four based on geographic location, and Homo ferus (wild man) and homo monstrosus (monster man) (Fish, 2011). He further tried to make scientific sense of life by assigning traits to each of these categories. Racial stereotyping has derived from this concept of Linnaeus’ taxonomy, with static conceptions of a particular race that does not allow for individual variation and intergradations (Fish, 2011). Australia was colonized at a time

Aileen Hernandez - Feminist Civil Rights Activist

Aileen Hernandez was a lifelong activist for civil rights and women’s rights. She was one of the founding officers of the National Organization for Women (NOW) in 1966. Dates:  May 23, 1926 – February 13, 2017 Personal Roots Aileen Clarke Hernandez, whose parents were Jamaican, was raised in Brooklyn, New York. Her mother, Ethel Louise Hall Clarke, was a homemaker who worked as a seamstress and traded domestic work for physicians services. Her father, Charles Henry Clarke Sr., was a brushmaker. School experiences taught her that she was supposed to be nice and submissive, and she early determined not to submit. Aileen Clarke studied political science and sociology at Howard University in Washington D.C., graduating in 1947. It was there she began to work as an activist to fight against racism and sexism, working with the NAACP and in politics. She later moved to California and received a master’s degree from California State University at Los Angeles. She has traveled widely in the course of her work for human rights and liberty. Equal Opportunities During the 1960s, Aileen Hernandez was the only woman appointed by President Lyndon Johnson to the government’s Equal Employment Opportunity Commission (EEOC). She resigned from the EEOC because of frustration with the agency’s inability or refusal to actually enforce laws against sex discrimination. She started her own consulting firm, which works with government, corporate, and nonprofit organizations. Working with NOW While womens equality was getting more government attention, activists discussed the need for a private women’s rights organization. In 1966, a group of pioneering feminists founded NOW. Aileen Hernandez was elected NOW’s first Executive Vice-President. In 1970, she became the second national president of NOW, after Betty Friedan. While Aileen Hernandez led the organization, NOW worked on behalf of women in the workplace to gain equal pay and better handling of discrimination complaints. NOW activists demonstrated in several states, threatened to sue the U.S. Secretary of Labor and organized the Women’s Strike for Equality. When the president of NOW endorsed a candidate slate in 1979 which did not include any people of color in major positions, Hernandez broke with the organization, writing an open letter to feminists to express her critique of the organization for putting such priority on issues like the Equal Rights Amendment that issues of race and class were ignored. I have become increasingly distressed by the growing alienation of minority women who have joined feminist organizations like NOW. They are truly the women in the middle, isolated within their minority communities because of their espousal of the feminist cause and isolated in the feminist movement because they insist on attention to issues which impact heavily on minorities. Other Organizations Aileen Hernandez was  a leader on multiple political issues, including housing, the environment, labor, education and  health care. She co-founded Black Women Organized for Action in 1973. She has also worked with Black Women Stirring the Waters,  the California Women’s Agenda, the International Ladies’ Garment Workers’ Union and the California Division of Fair Employment Practices.  Ã‚   Aileen Hernandez won multiple awards for her humanitarian efforts. In 2005, she was part of a group of 1,000 women nominated for the Nobel Peace Prize. Hernandez died in February 2017.

E Commerce Engaging With Physical Stores - 813 Words

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The popularity of this model is that some others global retails, such as U.S.-based Wal-Mart, have also adoptedRead MoreThe Advantages of Mobile Commerce Essay1326 Words   |  6 PagesWhat is M-commerce? The last decade has witnessed a lot of growth of mobile communication devices and wireless technologies across the globe. This has led to a change in the way many activities are conducted and opened the way for m-commerce, which is e-commerces next evolutionary stage. The significant power of m-commerce is primarily as a result of the ability to connect wireless devices anytime, anywhere (The Future of Mobile Payment Systems : Rise of the Mobile Wallet 2012-2017 [ElectronicRead MoreFoot Locker At The Athletic Shoe Industry1734 Words   |  7 Pageshas since becoming the successor corporation to its former parent company, and now operates approximately 3,450 retail locations under its different brands (Footlocker Inc., July, 2013). They compete with other athletic shoe stores like Adidas and Nike, as well department stores like Target and Wal-Mart. Since 1974, Foot Locker Inc. has launched different brands, namely, Foot Locker, Lady Foot Locker, Kids Foot Locker, Champs, and Eastbay , to cater to consumer demographics, and adapt to changing consumer

Clean Water Crisis Free Essays

Clean Water Crisis/Scarcity For decades, providing clean water to the masses has been a goal. Even with the â€Å"Millennium Declaration†, a goal proposed by the United Nations to provide clean water sources to everyone in the world by 2020, many people will go without clean water supplies. Can you imagine living in a region where there are struggles to get a glass of clean water. We will write a custom essay sample on Clean Water Crisis or any similar topic only for you Order Now It seems so distant to us living in modern industrialized America, yet this concept is completely taken for granted in everyday life. We simply forget the means as to how we have gotten this necessity of life delivered to our kitchen sink. This is nonetheless relevant in today’s world. Unless you are one of the unfortunate countries or regions in which there is limited supplies of water and the water that is present is stagnant or so contaminated with bacteria and other minerals that it literally makes you sick from dysentery by simply drinking one glass. Letsfirst look at the public water supply in area’s with scarce resources. With a population of well over 120 million people less than 30% of Nigeria has access to safe drinking water(Nigeria). Ingestion of unsafe drinking water can result in spreadable disease. In fact, in India, 21% of all spreadable disease is due to a lack of safe water, and diarrhea alone causes more than 1,600 deaths daily(India). Worldwide 1 out of every 4 deaths under the age of 5 is due to a water-related disease (water). The niger river which once flowed freely though Africa has been being used to produce hydro-electric power out of the Akosombodam. According to BBC news, Nigeria is dependent on this river and the river is now facing environmental catastrophe as a result of pollution†. The United States is affected much less than other parts of the world at this time. Although if we do not change something soon we may end up like some of the worlds less fortunate counties. California has been in a drought since 2006. Our own Lexington reservoir is down to less than 5% due construction of a safer dam (Rogers). We may be in trouble; the reservoir will not gain water levels until we come out of this drought. That’s because reservoirs and groundwater are already depleted after two years of drought – and because the state’s population is much bigger than it was during the last statewide drought in the early 1990s. As the population grows; the demand for water increases. Since 1990 the population has doubled. Yet water usage has increased by 6 times. Many Americans are accustomed to having whatever they want, when they want, at any cost. We need to think about the affects of everything that we do, take a simple shower for example. In a survey taken from 36 people from the ages 15- 55 the average person took 8 showers per week. With an average estimated time of 15 minutes. A low flow shower head can produce as little as about 1. 5 gallons per minute. The legal limit for a company to produce a shower head is 2. 5 gallons per minute, but most companies work around that by having a removable flow restrictor. If this is not put in upon installation a high flow shower head can produce up to 5-7 gallons per minute. So this means of the 36 people surveyed, assuming that they have between the legal limit of 1. 5 and 2. 5 gallons per minute, the total of their usage will be between 336,960 and 561,600 Gallons of water per year. That’s over a half million gallons of water for 36 people per year, to take their showers. According to the US Census Bureau as of June 2007 the population of California was 37,700,000, and is still growing(what). This would mean that in 2007 alone California used an unbelievable 470 billion gallons of water to take showers. How to cite Clean Water Crisis, Papers

In To Kill a Mockingbird Essay Example For Students

In To Kill a Mockingbird Essay In To Kill a Mockingbird, Scout is a young girl who grows up in a small town in Alabama called Maycomb County. In this small town there is prejudice, racism, and hypocrisy. Growing up surrounded by these issues she learns a lot of life lessons about herself and people she knows. Scout learns many life lessons and understands life better towards the end of the book. What are life lessons? Life lessons are things a person experiences in life. In To Kill a Mockingbird, Scout learns many life lessons. One life lesson would be how Scout learns her dad doesnt really care what people think about him. She learns this when she is at school and she come home and tells her dad that people were calling him bad names. She realizes her dad doesnt care what people are saying about him. It is hard to stand up for something when you know others dont agree. Her dad is independent he does what he wants and he isnt influenced by what people say. Scout learns that her dad is a great father. Even though she doesnt say anything you can just tell. When Scout and her dad talk in the beginning it is clear that Scout really doesnt understand her dad. Towards the end Scout understands her dad by the way she looks at him and by the, way she talks to him. Atticus has a large part to play in Scouts life. He has to be the mom and dad. He has to play both parts and know what to do if something happens to Scout. Scout doesnt learn this until the end of the book. She also learns her dad doesnt brag. When all of the other children go to school telling each other that their dad is a hunter and caught or shot animals, Scout did have anything to say about her dad. One day her dad kills the dog. Now, Scout knows her dad really is cool and interesting. He is just a quiet, unassuming man who doesnt boast about his good qualities. Many children dont understand or appreciate their parent until they grow up and mature. Scout and Jem dont really understand Atticus until the end of the book.